Artist in Residence: Carter Johnson

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Celebrated for his warm stage presence, compelling musical personality, and cutting-edge programming, Canadian pianist Carter Johnson is known for making classical music speak to all kinds of audiences. With playing described as “sincere, communicative, and intelligent”, “drop-dead gorgeous”, and even “the greatest thing since sliced bread” (Gramophone), Johnson’s competition laurels include being a finalist in the 2025 Van Cliburn Competition and the winner of the 2025 Dublin Competition—the first Canadian to achieve either honour—as well as being the silver laureate in both the 2025 Honens and 2024 Gina Bachauer Competitions. He is a recipient of the CAG Louis and Susan Meisel Prize.

Highlights of Johnson's 2026-2027 season include recital appearances at Carnegie Hall's Weill Recital Hall, Spivey Hall, Merkin Hall, and Wheaton College, a return engagement with the Montréal Symphony Orchestra, and debuts with the Omaha Symphony and Toronto Symphony Orchestra. He makes his TSO debut alongside Angela Hewitt in Mozart's Double Concerto. He has previously appeared with orchestras including the Polish National Radio Symphony, RTÉ National Symphony, Calgary Philharmonic, Utah Symphony, Fort Worth Symphony, Poznań Philharmonic, and Victoria Symphony Orchestras, as well as Orchestre Métropolitain and the Orchestra of the Americas. He has also appeared at festivals including the OSM Virée classique, Festival of the Sound, Ottawa Chamberfest, Miami International Piano Festival, Trasimeno Music Festival, and Festival les Piano Folies du Touquet-Paris-Plage.

Trained in elocution, Johnson holds an ATCL with distinction in speech and drama from Trinity College London, and frequently incorporates this skill into his recitals through spoken commentary. His performances of Poulenc’s L’histoire de Babar, le petit éléphant, in which he appears as both pianist and narrator, are beloved by audiences of all ages and backgrounds. Alongside the standard concert repertoire, he maintains a strong interest in experimental and interdisciplinary programming; the 2026-2027 season includes his debuts in live improvisation and solo harpsichord.

Born on Vancouver Island, Johnson began piano studies at age five with Shelley Roberts, whom he considers one of his most important influences. He later worked with Michelle Mares before completing a Bachelor of Music at the University of British Columbia with Mark Anderson. He earned a Master of Music at the Juilliard School under Joseph Kalichstein and Matti Raekallio, and a Master of Musical Arts at the Yale School of Music with Wei-Yi Yang, where he is currently a Doctor of Musical Arts candidate. He also maintains a close artistic relationship with Angela Hewitt, who has been a significant mentor and chamber music partner since first hearing him perform Bach in Leipzig.

Johnson resides in Connecticut with his wife Hannah and their three children. Outside of music, he and Hannah enjoy cooking, gardening, and spending time outdoors as a family.