Voice Pedagogy and Performance Faculty

Christopher Arneson
Erdman Hall 31

Christopher Arneson is a professional voice trainer and vocologist on the faculty at Westminster Choir College of Rider University where he is Director of Voice Pedagogy and teaches Pedagogy, Literature, and Speech for the Actor. In 2016 he also joined the faculty at Princeton University.

Headshot of Susan Ashbaker
Associate Professor, Director of Westminster Opera Theatre
Taylor 8

Director of Westminster Opera Theatre and Artistic Director for Tri-Cities Opera, Susan Shiplett Ashbaker has more than 30 years of experience in the performing arts.  She is active in the opera and vocal world as an artistic advisor/consultant, master class presenter, lecturer, and an opera/vocal coach.  Her experience on both sides of the opera industry gives her a rare and comprehensive approach to the key elements of career advancement for singers as well as a unique vantage point in the administration of opera companies, arts organizations and institutions of higher lear

Margaret Cusack
Chair, Department of Voice and Piano; Professor
Erdman Hall 26

Soprano Margaret Cusack is Professor and Chair of the Piano and Voice Department at Westminster Choir College of Rider University, where she teaches private voice, opera literature, and voice pedagogy. She has been a Regional Governor of the National Association of Teachers of Singing, and is currently a member of the Artist Faculty at the Brevard Music Center. Ms. Cusack’s current and former students have sung at the San Francisco Opera, Los Angeles Opera, Washington Opera, Virginia Opera, Opera Theater of St.

Elem Eley
Erdman Hall 25

Baritone Elem Eley is Professor of Voice at Westminster Choir College of Rider University, joining the faculty in 1987 after previous teaching positions in Texas and Georgia. He performs frequently in recital and concert, and is active as a teacher of master classes. His current and former students sing with major opera companies and in significant concert venues across the globe.

Headshot of Rochelle  Ellis
Adjunct Associate Professor
Erdman Hall 32

Soprano Rochelle Ellis, has distinguished herself in a broad repertoire that extends from Bach and Beethoven to Verdi, Barber and Gershwin.  Her Carnegie Hall debut was as soloist in Schubert’s Mass in G and Bach’s Cantata 140 with the Orchestra of St. Luke’s and the Westminster Choir conducted by Joseph Flummerfelt. The soprano was honored to give the world premiere of Hold Fast to Dreams composed by the late jazz great Dave Brubeck, based on poetry by Langston Hughes.

Faith  Esham
Adjunct Assistant Professor
Taylor Hall 15

Faith Esham has been an Adjunct Assistant Professor of Voice at Westminster Choir College of Rider University since 2000. Professionally she has garnered critical acclaim for her outstanding performances in the leading opera houses of the United States and Europe. Since her successful Metropolitan Opera debut as Marzelline in Fidelio, she has returned to the company to sing Nedda and Mélisande.

Headshot of Nancy Froysland-Hoerl
Adjunct Assistant Professor; Conservatory Teacher
Erdman Hall 2 / Conservatory 204

Soprano Nancy Froysland Hoerl has performed in Europe, the United States and the United Kingdom. While studying lieder and opera at the Conservatory of Music in Vienna, Austria, she premiered numerous works for soprano and chamber orchestra and created the lead role of Gabi in Der Krach im Ofen, which premiered at the Theater an der Wien. At the Britten-Pears School for Advanced Musical Studies in Aldeburgh, England, she coached with Sir Peter Pears, Dame Nancy Evans and John Shirley-Quirk.

Katherine  Johnson
Adjunct Assistant Professor
Taylor Hall 26

In the words of one reviewer, Katherine Johnson was "the absolute singing actress". During her career she was heard at The Metropolitan Opera, Los Angeles Music Center Opera, Houston Grand Opera, Dallas Opera, Baltimore Opera, New Orleans Opera, Opera/Columbus, Edmonton Opera, Manitoba Opera, Pacific Opera(Victoria), New Jersey State Opera, Florida Grand Opera, L’Opéra de Nice, Opera Orchestra of New York, Canterbury Opera (Christchurch, N.Z.), and L'Opéra de Québec, in a wide range of repertoire including the title roles of Tosca, Elektra, and Jenufa. Ms.

Rachelle  Jonck
Adjunct Associate Professor
Taylor Hall 18

Rachelle Jonck received her musical training at the conservatory of the University of Stellenbosch in South Africa majoring in both piano and musicology.

Headshot of Robin Leigh  Massie
Adjunct Assistant Professor
Taylor Hall 26

Soprano Robin Leigh Massie has established herself as a versatile artist in opera, concert and musical theatre.  She made her New York City Opera debut as “Flora” in Benjamin Britten's The Turn of The Screw and has performed with Tulsa, Kentucky, Glimmerglass, and Rockland Opera companies. In musical theatre, Ms. Massie performed the role of “Jellylorum” in Andrew Lloyd Weber’s CATS in Hamburg, Germany.

Headshot of Sean McCarther
Associate Professor II
Taylor Hall 20

Baritone Sean McCarther serves as Associate Professor of Voice at Westminster Choir College where he teaches studio voice and undergraduate voice science. In May of 2012 he received his doctorate in Vocal Performance and Pedagogy with minors in music theory and movement/postural analysis at Indiana University. He studied voice with Dr. Robert Harrison and pedagogy with the late Paul Kiesgen. Dr.

Headshot of Mark Moliterno
Adjunct Associate Professor
Erdman Hall 34

LISTEN to Mark Moliterno discuss his philosophy and approach to teaching.

Carolann Page
Adjunct Assistant Professor
Erdman Hall 2

The name CAROLANN PAGE defines the term crossover artist, having earned critical and popular acclaim as the creator of leading roles in world premieres in both the musical theatre and operatic worlds.

Headshot of Kathy Price
Associate Professor
Erdman Hall 6

Kathy Kessler Price, soprano (M.M., Ph.D.), teaches graduate vocal pedagogy courses and applied voice, and directs the Presser Voice Laboratory at Westminster. She previously served as Voice Area Coordinator and Assistant Professor of Music at Mississippi State University and taught voice/vocal pedagogy and coordinated the School of Music Vocology Laboratory at The University of Kansas. She also worked as an intern in Clinical Voice Assessment at the University of Kansas Medical Center. Additionally, Dr.

Headshot of Laura Brooks Rice

Laura Brooks Rice

Emeritus Professor
Erdman Hall 1

Mezzo-soprano Laura Brooks Rice has won acclaim on the opera and concert stage for her rich, warm voice, musicality, charm and sensitive acting ability.

Debra Scurto-Davis
Adjunct Assistant Professor
Taylor Hall 16

Debra Scurto-Davis is a pianist and vocal coach who has made her life’s goal the promotion of excellent artistry, principally through educating others. She is currently on the faculty of Westminster Choir College, where she coaches and teaches English, French, Italian and German diction; and The Shipley School, where she has a studio of 30 pianists. She is also on the Westminster coaching faculties of the CoOPERAtive Program in Princeton, New Jersey and the Florence Voice Seminar in Italy.

Elizabeth Sutton
Adjunct Assistant Professor
Taylor Hall 9

Soprano Elizabeth Sutton is an Priority Adjunct Assistant Professor of Voice at Westminster Choir College and a lyric coloratura soprano critically acclaimed for her remarkable singing and stage presence.

Sharon Sweet
Erdman Hall 7

Dramatic soprano Sharon Sweet attended the Curtis Institute of Music and completed her vocal studies with renowned vocal pedagogue Madame Marenka Gurewich in New York City. She began her international career with a concert performance of Aida in Munich which brought her an invitation to join the Deutsche Oper Berlin at the beginning of the 1986-87 season, where she was particularly acclaimed for her interpretations of Leonora in Il Trovatore and Elisabeth in Tannhauser.

Headshot of Charles Walker
Adjunct Instructor
Erdman Hall 4

Tenor Charles Walker has been a member of the Westminster Voice Faculty since 1994 and Coordinator of Westminster's High School Solo Vocal Artist Institute since 2009. He studied at the Curtis Institute, earned a Bachelor of Music Education degree from the University of Delaware, studied at the Mozarteum in Salzburg, studied opera and acting at Boston University with Adelaide Bishop, Mac Morgan and Robert Gartside and attended the Ambler Institute for four seasons where he studied with Todd Duncan and Eleanor Steber.

Sally  Wolf
Adjunct Assistant Professor
Taylor Hall 27

In a career spanning 34 years, soprano Sally Wolf has sung her brilliant dramatic coloratura and lyric repertoire all over Europe and North America. She achieved acclaimed portrayals of the title role of Norma at Seattle Opera and Florida Grand Opera, Mimi (La Boheme) at Seattle Opera, Violetta (La Traviata) with Opera du Rhin in Strasbourg, and Lucia (Lucia di Lammermoor) with Seattle Opera. Ms.

Amy  Zorn
Adjunct Assistant Professor
Erdman Hall 3

Contralto Amy Zorn has sung under the batons of Seiji Ozawa, Henry Lewis, John Harbison, Craig Smith, Yves Abel and Sun Min Lee. She has been heard in the operatic roles of Carmen, Lucretia, Dido, Suzuki, Maurya, Principessa, the Old Lady, Dame Quickly, and Ulrica. Most recently she was engaged to perform the role of Auntie at the Tanglewood Music Festival’s historic revival of Benjamin Britten’s Peter Grimes.