The spirit of Bach—particularly his Mass in B Minor—informs the grand choral writing of Mozart’s Mass in C Minor. The influence of the florid Italian operatic style is also evident in solo passages, gloriously so in the “Laudamus te,” a coloratura mezzo-soprano showpiece, and in the tender soprano aria “Et incarnatus est.”
Westminster Symphonic Choir
Orchestra of St. Luke's
Pablo Heras-Casado, conductor
Check the Carnegie Hall website
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