Note to Conductors, Associates and Observers: Each conductor will choose with confirmation by faculty two pieces to study and conduct in depth at the Institute. Conducting Associates will select pieces upon consultation with Professors Pilkington and Vodicka at arrival at Oxford. Conductors, Associates and Observers upon registration will be given access to the pieces so they can be studied and downloaded. They are all available in hard copy form in the Talbott Library as well. Study at CIO demands of each participant access to these scores. For those without digital capability, hard copies will be provided.
Work Title | Composer |
---|---|
Jazz Missa Brevis | Will Todd |
Messiah: Part I (in English and Spanish) |
Handel |
Love Divine | Ned Rorem |
Behold O God Our Defender | Herbert Howells |
Quartette: “An Die Heimat” | Johannes Brahms |
Quartette: “Abendlied” | Johannes Brahms |
Brightest and Best | Rimkus, Sarah |
Rejoice in the Lamb | Benjamin Britten |
Ave Verum Corpus | William Byrd |
O Salutaris Hostias | Eriks Esenvalds |
Ca’ the Yowes | Ralph Vaughan Williams |
The Seven Heavens | James Whitbourn |
Pilgrim's Hymn | Stephen Paulus |
The Deer's Cry | Arvo Pärt |
Celtic Heart | Paul Mealor |
O Nata Lux | Thomas Lavoy |
O Nata Lux | Tallis ed. Carrington |
Littlemore Tractus | Arvo Pärt |
Salve Regina | Francis Poulenc |
Os Justi | Anton Bruckner |
My Lord What a Mornin’ | Harry Burleigh |
Shenandoah | James Erb |
De Cie | Phillip Glass (Premiere) |
Great Day | Warren Martin |
In the Bleak Midwinter | Steve Pilkington |
Hark I hear the Harps Eternal | Alice Parker |
Requiem (selected Choruses) | Mozart |