Dr. Marshall was appointed Interim Dean of Westminster College of the Arts on January 1, 2015. He joined Rider University as Associate Dean of Westminster Choir College in July 2006, becoming Associate Dean for Administration of the Westminster College of the Arts in spring 2009. Immediately prior to coming to Rider, Onofrio was Professor of Music and Chairman of the Department of Music at Marshall University from 1998-2006. Onofrio previously taught or served as an administrator at Plattsburgh State University of New York, The Ohio State University, Muskingum College and Midland College. He has been trained by the National Association of Schools of Music to serve as an external evaluator for collegiate music programs and has visited several colleges and universities as consultant, clinician, and composer-in-residence. He is an Adjunct Professor in the Music Education Department at Westminster Choir College.
Onofrio's compositions and arrangements have been heard in several Midwestern and northeastern states and in Canada. Recent premiere performances have included Requiem Mass for chorus and orchestra, Of a Life for clarinet sextet, and Three Remembrances, a commissioned work for soprano, horn, and piano. The last was included on a composers program at the Mid-Atlantic Region of the College Music Society in March 2005. Portraits, commissioned in 2000 for oboe d’amore, English horn, and piano, was premiered in April 2001, and also has been performed at the 2001 International Double Reed Society convention, Thomas Stacy’s English horn workshop, and the 2006 CMS Mid-Atlantic convention in a version for clarinet and soprano saxophone. Carmina Whitmania, set for singing actor and six players, was commissioned by the Delta Omicron Foundation, and was given its premiere performance at their July 2006 international conference in Illinois.
Several of Onofrio’s arrangements have been performed by Bluetrane, the Marshall University faculty jazz ensemble. In the fall of 2000, Onofrio’s I’d Love to Dance was included on a CD-ROM produced by the Marshall University College of Fine Arts as part of a grant from the Appalachian Regional Commission.
Celebration Symphony was commissioned by and given its premiere performance by the Plattsburgh Community Orchestra in September 2000. Additional works have been commissioned and performed by the Cantari Singers, the Gregg Smith Singers, and the Adirondack Youth Orchestra, among others, and have been included on regional programs of the Society of Composers, Inc. and the College Music Society. Each November, the North Country Ballet (NY) performs The Nutcracker using a chamber orchestra score commissioned from Onofrio. Selected compositions are published by Margun Music, Inc.
Onofrio has appeared as a guest artist, conductor, and clinician in 17 states, Canada and 7 European countries. He has been in residence at the University of Guelph and Laurentian University in Canada, giving lectures, performing in recital, and presenting original compositions. He has served as a band, brass, and jazz adjudicator for state music organizations in West Virginia, New York, Ohio, Nebraska, Iowa, and Illinois, and was director of the annual Plattsburgh State Jazz Festival and the Midlands Jazz Festival in Nebraska. He has worked with such internationally known figures as James Dapogny, Gene Bertoncini, Joanne Brackeen, Randy Brecker, and Gunther Schuller.
As a writer and presenter, Onofrio has considered topics ranging from the relationship between popular music and war to training faculty and students. In November 2007, he joined with Drs. Ed and Ann Marie Bingham to present a session on composing for woodwinds at the College Music Society’s national meeting in Salt Lake City. In 2004, he joined with Dr. Robert Hall to present “Comparative Orchestrations of Pictures at an Exhibition” at the CMS national meeting in San Francisco. His paper, “Part-Time Faculty: Issues and Strategies,” was presented at the 20th Annual Academic Chairperson’s Conference, held in Orlando, FL in February of 2003, and is published in the proceedings of that conference. “Training the Composer of Tomorrow,” a paper delivered at an interdisciplinary conference entitled “Reflections on the Future” held at Laurentian University in Canada, appears in the Spring 2000 volume of Arachne, an interdisciplinary journal of the Humanities. In addition, he has reviewed several recordings and compositions for music journals.
D.M.A. – Composition, The Ohio State University
M.M. – Composition, University of Nebraska – Lincoln
M.M. – Trumpet, University of Illinois at Urbana-Champaign
B.M. – Trumpet, University of Connecticut
B.S. – Music Education, University of Connecticut
Certificate – Hampton University-Executive Leadership Summit
Certificate – Rutgers University-Newark Summer Institute on Jazz Education