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Arrive early and be on time for your scheduled audition
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Warm up physically and vocally before the audition. Try to be as relaxed and focused as possible.
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Avoid caffeine, soda, chocolate or sugary drinks before your audition – they’re bad for your vocal cords and may make you more nervous.
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It's best to eat bland, familiar foods the day of the audition.
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Don't perform on an empty stomach – but do give food time to digest before you perform.
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Wear neat, comfortable clothing. You want to look nice, but make sure you can move around the room. Note: If you are auditioning for musical theater, you’ll be participating in an observed dance session. Be sure to bring a change of clothes as well as character shoes (not tap of ballet), or shoes with soft, rubber soles.
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If you are using an accompanist for your audition, have your sheet music prepared in the correct key. The music should be clean, clearly marked and laid out to eliminate or simplify page turning.
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Pay strict attention to the time limits noted in the requirements.
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If you are using a cassette or CD, have it cued to the correct starting point.
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If you are auditioning for theater and have chosen a piece from a book of monologues, get a copy of the entire script and study it as a part of your preparation. You may be asked to comment on it.
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Have fun and let your personality shine through. Remember to smile.
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Be prepared to ask questions about Westminster and your program of interest. You may also be asked questions about your own musical background and aspirations.
Also Worth Noting
For vocalists: Know your music, your words and the meaning of your words – inside and out. Remember that expression and interpretation will be important elements of your performance.
For music theater and theater students: Your monologue selection should be close to your theatrical age range and a character type you can play convincingly. Look for a piece that builds in energy and allows you to create something new for your character.
For organists: Plan a program that demonstrates both your interpretive and technical abilities. Establish a general registration scheme for your piece before you come for your audition and practice sight-reading hymns.
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